adalberto tiburzi

what I do, what I did, what I would have done
via Tessbytesstessbytess:


https://www.facebook.com/withoutmyface
Thank you leave photo credits.
via Tessbytess

tessbytess:

https://www.facebook.com/withoutmyface

Thank you leave photo credits.

via Ed Ross
erthepolaroidcollection:

Palesaent.  Palladium print of a scanned, inverted FP3000.  © ed ross
via Ed Ross

erthepolaroidcollection:

Palesaent.  Palladium print of a scanned, inverted FP3000.  © ed ross

(via edrossphotography)

via crinaprida:

Deconstructed nude. A phone edit experiment.

via crinaprida:

Deconstructed nude. A phone edit experiment.

© Patrizia Arigò
Five Suns

© Patrizia Arigò
Five Suns

ristorante Busacca Scicli
photo © Patrizia Arigò

ristorante Busacca Scicli
photo © Patrizia Arigò

il rumore del buio http://ribesphoto.com/
La Gastronomia Culturale di Patrizia Arigò https://www.facebook.com/IsolediGusto?fref=ts
I live of what the others ignore about me peter handke
Io vivo di ciò che gli altri ignorano di me Peter Handke
[…] En somme, je ne sais pas ce que je cherche, mais quand je le trouve je le reconnais, merveilleusement inattendu…”
Paolo Damiani, musicien de jazz (sur l’improvisation)
La luce del sud-est di Patrizia Arigò

La luce del sud-est di Patrizia Arigò

La grande erreur, la seule erreur, serait de croire qu’une ligne de fuite consiste à fuir la vie : la fuite dans l’imaginaire, la fuite dans l’art. Mais fuir au contraire, c’est produire du réel, créer de la vie, trouver une arme. Gilles Deleuze/Claire Parnet, Dialogues (via crinaprida)

(Source: abridurif, via crinaprida)

"If photographs could not be read as stories, they could be read as symbols" 
John Szarkowski

"If photographs could not be read as stories, they could be read as symbols"
John Szarkowski

Heraclitus’ Light My best gallery, probably.
Heraclitus’ Light
My best gallery, probably.
Secret Rome

Secret Rome